|
|
After 12 months of intense challenges and change, the chancellor sits down for an interview with the UCLA College and offers his insights on where we are and where we are heading.
|
|
|
One year to the day after the deadly Palisades and Eaton fires erupted, carving paths of destruction that affected thousands of Bruins, their families and other Angelenos, members of the UCLA community gathered for a moment of reflection.
|
|
|
|
Even after wildfires are extinguished, smoke damage can continue to pose risks to residents, UCLA experts explain. Here’s what you can do to remain safe.
|
|
|
|
UCLA Extension’s Success Academy helped the once-homeless Army veteran, who pays it forward by talking about his experience.
|
|
|
|
After a tumultuous 2025, what’s in store for next year? Six faculty members weigh in on what the future holds.
|
|
|
Read more of the latest research & news stories
|
|
|
Please take this quick survey to help us better understand what matters most to you. It’s completely anonymous and the questions will change — so repeat takers are welcome. The survey will close next Wednesday at 5 p.m. Thank you for your time!
|
|
Jaimie Krems, co-founder and director of the UCLA Center for Friendship Research, has advice on how to make and maintain friendships across your lifespan.
|
|
“Everyone who lives in L.A. hears mariachi music and nobody really knows very much about it in terms of the general public,” said Jane Collings, the project manager for UCLA’s oral history project, Mariachi Music in Los Angeles and Beyond.
|
|
UCLA environmental law professor James Salzman writes about a photodocumentary project that shows in clear photographic evidence how dirty the United States used to be and how much better the environment is today.
|
|
Latest from Chancellor Frenk
|
|
|
The fires marked the worst natural disaster in our city’s 244-year history. The devastation they caused — the homes lost, the neighborhoods forever altered, the lives disrupted — is still deeply felt by many. Read my message to the Bruin community.
|
|
|
|
|
|
|
|
Jan
10
|
Join the UCLA Latin American Institute for a final walk-through of Construction, Occupation, led by co-curator Alex Ungprateeb Flynn ahead of the exhibition’s closing on January 11. Key works explore how art intersects with power, infrastructure and the politics of spatial justice. Reserve your free spot.
|
|
|
|
Jan
11
|
In the first of a four-part lecture series, art historian John Walsh shows how Matisse was seduced by light and color on the Riviera and pushed them to new extremes in landscapes, figure paintings and still lifes — what a critic called wild, “fauve.” Admission is free.
|
|
|
|
Jan
13
|
|
12 p.m.
|
| |
Bedari Kindness Institute
|
Based on the methodology of Resetting the Table, a nationally renowned organization dedicated to building honest and open communication, this workshop will allow participants to practice speaking about divisive political topics using effective skills. Register for this event.
|
|
|
|
Jan
15
|
Powerhouse musicians unite for an evening that showcases titan composers of lyricism and storytelling, performing the works of George Walker, John Tavener, Nina Simone and more. Purchase tickets on the event website.
|
|
|
|
Jan
|
Director of Mindfulness Education at UCLA’s Mindful Awareness Research Center Diana Winston shares her personal journey and draws on her decades of experience to explore how mindfulness is a practical, evidence-based tool that anyone can use to lower stress and enhance well-being.
|
|
|
|
|
|
Every month, the School of the Arts and Architecture creates a special moment with its series, “You See L.A.,” asking a UCLA arts community member to share five things they love about our city. This month, tap into the mind of Will Rawls: choreographer, dancer, writer, associate professor, and dance program lead in the Department of World Arts and Cultures/Dance. Will’s L.A. includes unique places to shop, eat, hike and ruminate, along with a resounding recommendation for local fashion designer Nancy Stella Soto, who designed the costumes pictured above for the performance piece Rawls choreographed for his Hammer Museum exhibit, Unmade.
|
|
|
