This year’s Latinx Welcome showcased how cultural programming, as well as meaningful connections, abound at UCLA.
|
|
Co-producer Veena Hampapur discusses the project presented by Re:Work, the center’s women-led podcast.
|
|
|
UCLA scholars are helping the community understand candidates, issues, voter trends and more ahead of the November elections.
|
|
|
She is the 48th UCLA faculty member to achieve one of the highest honors in the fields of health and medicine.
|
|
|
With his postmodern, deconstructivist, can’t-look-away buildings, the famed urban architect and UCLA alumnus is accomplishing what many have set out to do but very few have achieved: reimagining the American city.
|
|
Read more of the latest research & news stories
|
|
Latest from Interim Chancellor Hunt
|
|
The new academic year is well underway at UCLA, and our students, faculty and staff continue to make a profound impact on campus, across Los Angeles and well beyond. This issue of the chancellor’s quarterly update discusses UCLA’s role in the Getty’s PST Art initiative, offers an update on our strategic plan one year after its launch and shares efforts to help our community prepare for this year’s important elections.
|
|
|
|
A study led by researchers at UCLA has found that due to voting eligibility expansions, more than 2 million people with felony convictions are now able to vote. UCLA sociologist Naomi Sugie and other researchers found that several factors pose an “access to justice issue among system-impacted people,” including a lack of understanding about the voting process, confusion about eligibility and perceived risks of voting while ineligible.
|
|
|
|
Oct
26
|
|
1:00 PM – 3:00 PM
|
|
Hammer Museum
|
Inspired by the Appropriate Technology movement of the 1970s, Breath(e) artist Lan Tuazon explores the movement’s continuation today through open-source technologies, DIY and grassroots environmental actions. In this workshop, Tuazon will join artist Richard Wilks, along with environmental organizers Marcus Rosenthal and Armando ‘Mondo’ Ochoa, to demonstrate how they are building communities to tackle the global plastic pollution crisis. This workshop will have a limited capacity.
|
|
Oct
28
|
|
7:30 PM
|
|
Schoenberg Hall and Virtual
|
Prepare to be bewitched and tuba-fied at The UCLA Herb Alpert School of Music’s spooktacular tuba and euphonium recital! Students are brewing up a cauldron of haunting melodies and bone-chilling harmonies. From ghostly marches to eu-fear-nium serenades, we’re pulling out all the stops to make this concert a real scream. This event is free and no registration is required. Seating is on a first-come, first-seated basis.
|
|
Oct
29
|
The educational designers and developers of the UCLA Teaching and Learning Center are offering a weekly series of six, 10-minute pop-up sessions on focused, specific topics related to course design, teaching, learning and learning assessment, with an optional 10 minutes of Q&A at the end.
|
|
Nov
5
|
|
5:00 PM – 10:00 PM
|
|
Pauley Pavilion Club
|
Join BruinsVote and UCLA Campus Life for an Election Night Watch Party. Be in community with others as you watch the results come in from a variety of newscasts. Light refreshments will be provided. Open to all members of the UCLA community; attendees must show BruinCard.
|
|
|
|
Not only is UCLA home to multiple exhibitions and programs for this year’s edition of PST Art, but there are dozens of UCLA employees and alumni whose works appear in galleries, museums and institutions associated with the project. If you’re around Pasadena, check out the Huntington Library exhibition “ Storm Cloud: Picturing the Origins of Our Climate Crisis.” UCLA School of the Arts and Architecture professor Rebecca Méndez’s video installation, Any-Instant-Whatever, documents 12 hours of L.A.’s winter skies, creating an immersive experience that encourages contemplation while also addressing themes of environmental change. Before you visit, watch this video in which Méndez describes her thinking that went into the multimedia piece and her hopes for us as viewers of it.
|
|
|